Category: Izzy Furl

  • GALLERY & REVIEW: 3l3d3p at Barlow’s 8/18/25 – Sacramento, CA

    GALLERY & REVIEW: 3l3d3p at Barlow’s 8/18/25 – Sacramento, CA

    Words and photos by Izzy Furl

    Shot on Kodak Portra 800

    It was 3l3d3p’s first time performing in Sacramento, but you wouldn’t have guessed it. The moment she stepped on stage, slowly swaying to synths, the mood in the venue shifted. The crowd leaned in, anticipating the digital hardcore storm that was about to erupt. By the time the bass hit, the excitement was tangible, and it didn’t fade until long after the lights went out.

    Unlike many artists who play venues with stages barely a foot off the ground, 3l3d3p didn’t let the limited setup hold her back. She transformed the space with stunning visuals: pillars of spinning lights that projected rose petals falling over warm-toned footage of her dancing, looping into glitchy cyberpunk map layouts. Video games have long shaped her sound and style—her FWD music video, for example, plays like a fighting game spliced with a pixelated, noir version of Ace Attorney. Beside her board, a futuristic glass-encased hologram rotated continuously, scrolling her name—3L3D3P—in bold impacted font. It was the final touch to the industrial, hypnotic atmosphere she built.

    Onstage, 3l3d3p blurred the line between performer and participant. She swung her head side to side, deliberately grazing those in the front row with her hair, and climbed atop the speakers, crouching and leaning into the first row while making sure to hit every corner of the stage. At one point she lunged her mic stand into the crowd, daring those in the back to lean in closer. Later, when the tempo shifted, she joined the dancers herself, her arms slicing the air as if cutting through water. The barriers between artist and audience dissolved further when she asked the crowd how to say her name. One by one, fans shouted into her mic—L-D-P—with perfect accuracy. But the most memorable moment came when, at the height of the chaos, she bolted offstage and cut straight through the sea of bodies, the crowd parting only slightly as she barreled forward. The room pulsed with an energy this stage rarely gets to experience.

    Even after the music stopped, the experience lingered. Fans lined up at the merch stand, grabbing metallic keychains, G-string thongs, baby tees, and CDs wrapped in striking new cover art. Just like the performance itself, the merchandise carried the same mix of playful provocation and edge. For a debut Sacramento show, 3l3d3p carved her impression into the floorboards.

  • REVIEW & GALLERY: Enjoy and Puzzle at Newport Music Hall, Columbus, OH – 4/26/25

    REVIEW & GALLERY: Enjoy and Puzzle at Newport Music Hall, Columbus, OH – 4/26/25

    Words & Photo: Izzy Furl

    Shot on CineStill 800T

    Enjoy and Puzzle embarked on a co-headlining tour this spring and made a stop at Columbus’s own Newport Music Hall. The tour follows the release of their newest albums—”The Sound of Deceit”  by Enjoy and “Damage Collection!” by Puzzle.

    Puzzle

    Puzzle performed first, accompanied on stage by a bassist and drummer. Fletcher Shears’ music has become intertwined with industrial drum and bass over the past five years, which brought a palpable energy from both the crowd and the speakers. Fletcher entertained the audience by jumping around haphazardly and eventually laying flat on the floor like a dead man. Despite the heavy, high-energy backing of these tracks, they’re often paired with piano or synth melodies that offer a calming counterbalance—exemplified in songs like “Bankrupt (i hear it makes you smile).”

    Another signature element of Fletcher’s work is his use of samples. One of the side projects within their Vada Vada collective is Turkey, composed of William Sipos and Fletcher Shears. It’s genuinely hard to say whether the drums were electronically produced or performed live by Fletcher. This fusion of electronic instrumentation is a delight, especially when you catch a sample from a favorite video game. “The Bouncer” includes audio from an early cutscene in “Metal Gear Solid” (1998, PlayStation), and the title is pulled from “The Bouncer,” a 2000 beat ’em up game for the PS2. (Check out the trailer featuring the sample: The Bouncer Opening (PS2) (HD Quality)

    Enjoy


    Enjoy’s performance featured a full band, with two guitarists and a drummer, while the man himself, Wyatt Shears, took up the bass. His latest album includes a track featuring the lead vocalist of glam metal band L.A. Guns, who got their start in 1983. Continuing the theme of blending old and new, Enjoy’s set included “I’m Content” (2012) and “Drink Myself to Sleep” (2025). The latter is my personal favorite from The Sound of Deceit—its layered guitars have a crunch that pulls you in and strings you out. If you listen to any track off the new album, let it be this one.